Bertie Higgins Sails Away to Key Largo
If you've ever been in a dentist office waiting room, you've undoubtedly heard the soft-rock strains of the infectious hit "Key Largo." You know the one: "We had it all/Just Like Bogie and Bacall." As you sit there reading this, you KNOW you're humming it. It's OK... we won't tell.
What you may not know is that the crooner responsible for this great slice of 80s pop is not who you might expect. Most people assume it's the sultry voice of Kenny Rogers, Kris Kristofferson or some other wily, bearded singer. Not a chance. Mr. Rogers would never lower himself to writing a sappy, melodramatic ball of cheese later heard in elevators! OK, maybe he would, but that's not the point. The point is, that "Key Largo" is the work of none other than one Bertie Higgins.
Bertie who? To this day, the singer himself might actually ask that same question about himself. Mr. Higgins had a fairly forgettable career in the 70's as a member of the band "the Roemans"-- an amusing play on words, considering the lead was some guy named Roe. After that band broke up (we're guessing that it wasn't because they were TOO successful), Mr. Higgins moved back home to Florida, where he churned out a few albums that no one ever heard of. However, all that changed in 1982.
Don't call it a comeback! In '82, Higgins released a dripping-with-cheese soft rock album called "Another Day in Paradise." A cross between Jimmy Buffett, post-1980 Doobie Brothers and 1,000 packets of sweet-n-low, the album was anchored by a song about living in a 1940s movie. That song was "Key Largo."
Ah, Key Largo. "We had it all," the song says. And for a brief moment in time (and many Musak tapes throughout time), Bertie Higgins had it all. The song hit 8 on the pop singles chart, and a dazzling number 1 on the adult contemporary charts. The lyrics were indicative of a strange obsession Higgins had with 1940s films. (Another song on the album is called "Casablanca."). Unfortunately, the pop landscape of the early 80s didn't have a long-term appetite for 1940s-based songs.
The fickle 80s didn't keep Higgins around for too long. By the time he released his second single from the album, Bertie was fading from the public consciousness faster than Michael Dukakis. By the late 80s, Bertie's claim to fame was simply being a strange visual amalgam of Michael McDonald and Dan Fouts.
In 1994, Higgins released a feeble attempt at a best-of CD, but it was much too late. (Plus, CDs are usually more than one track, unless you're King Crimson). C'est la vie, Bertie. The 80s giveth and then they taketh it away. But for a brief moment in time, Bertie Higgins "had it all." Here's hoping he had as much groupie sex as humanly possibly while it--and his awesome beard--lasted.
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